The world-renowned artist continues to transcend the stage area via her progressive kinetic sculptures and performative environments that merge art, music, mild, and know-how.
She has a vertiginous resume. Over the past twenty-five years, Es Devlin has established herself as probably the most influential stage and performance designers, excelling within the art of creating journeys that inventively break the fourth wall, whether in theater, dance, opera, and even past, in music, artwork, and style. She is understood for her collaborations with pop stars reminiscent of Beyoncé, The Weeknd, Kanye West, Adele, U2, and Woman Gaga. Her tasks embrace spectacular spatial designs for tours and live shows: performs like Hamlet with Benedict Cumberbatch and The Lehman Trilogy by Sam Mendes; closing ceremonies just like the London Olympics; trend exhibits for Louis Vuitton and Dior. And the listing goes on. At 51, Esmeralda, aka Es Devlin, is a multi-award-winning visionary who experiments with new applied sciences as an impressive storyteller and kinetic mild sculptures.
On the prime of her recreation
In her most recent tasks, she created Come House Again, a light-weight sculpture commissioned by Cartier and put in outdoors the Tate Trendy, featuring 243 endangered species in London. For Yves Saint Laurent’s spring-summer 2023 males’s style show, she created a shiny metallic ring, a type of ethereal halo, surrounding the present in the Moroccan desert. In February 2022, she was answerable for the Super Bowl halftime show in Los Angeles, featuring Dr. Dre, Snoop Dogg, Eminem, Kendrick Lamar, and Mary J. Blige.
In 2021, the Forest of Us set up invited visitors to enter a maze of mirrors for Superblue in Miami. With Blue Sky White, she created a sculptural expression, in two elements, of our emotional response to the potential extinction of the blue sky. As for Reminiscence Palace, in 2019, this bravura piece explored our relationship to reminiscence, a “subjective and personal” mapping of 73 crucial moments in human history. Es Devlin continues to revolutionize the conventions of stage design, reaffirming with every challenge that the set isn't just a set, nor the stage a mere prop, but the energy of the creativeness that she concretizes and transcends with a masterful hand.
Nathalie Dassa
L’article ES DEVLIN OR THE ART OF CREATING WORLDS est apparu en premier sur Galerie Joseph.
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