The free forms of the Casa Orgánica   

Exposition Paris

Exposition / Exposition Paris 334 Views comments

If the American architect Frank Lloyd Wright opened the best way to organic architecture – that type of development that embraces its setting – it is the Mexican Javier Senosiain who pushed it to its paroxysm with the Casa Orgánica, a manifesto home inbuilt 1985 in the Mexico Metropolis space. 


An architect, Javier Senosiain is above all a researcher who, throughout his profession, has been interested in the relationship between nature and the dwelling area of Man. In osmosis with nature, far from the traditional perceptions of architecture, the Casa Orgánica concretizes the concepts of the builder. The habitat is thus in cohesion with the encompassing nature. Here, there isn't any distortion of area: the development is built-in into the hill and the curves of the land. Adapting to the land additionally means melting into it and imitating its shapes and undulating strains. The building was thus imagined without any sharp angles, in delicate and welcoming earth tones, to commune totally with the surface. Nothing appears to differentiate the dwelling area from the backyard that climbs to the roof. 
 
This union between man and the setting couldn't be full and not using a development that responds to the first wants of man. The kitchen, the bedrooms, the loos and the dwelling area are designed to fit the atypical volumes whereas sustaining their functionality. For Javier Senosiain conceives architecture as a strategy to create locations of well-being for each nature and man. To the practicality of the constructing, the curved shape is added as a vector of tranquility. Our thoughts is soothed as we undertaking ourselves into what was our first house, a spot of security: the maternal womb. Thirty-seven years after its completion, the Casa Orgánica continues to be hanging for its modernity and its apparent fusion with nature.
 
www.casaorganica.org
 

Louise Conesa

L’article The free forms of the Casa Orgánica    est apparu en premier sur Galerie Joseph.

Comments