“The provocative intentions of my works are just like my ecstatic goals: the will to speak, the will to determine an uninterrupted thread with others, and on the similar time, precisely, to provoke astonishment, maybe even indignation or scandal,” wrote Lucia Marcucci in her memoirs in 2005.
This units the tone for the exhibition devoted at the MAMAC in Good to this figure of the Italian avant-garde, and particularly of the Gruppo 70, while a big focus is devoted, in the same place, to the effervescent transalpine inventive scene of the 60s and 70s.
A colourful and cheeky avant-garde, joyful and willingly irreverent, making nice use of detour (of pictures and language, codes, varieties, and supplies) to wipe the slate clear and invent new varieties.
Among the many 120 works of the 56 artists introduced, a video by Marinella Pirelli sets the tone and summarizes the spirit of the adventure: we see petals of flowers burned one by one by the incandescent end of a cigarette…
“Vita Nuova. New stakes of art in Italy 1960-1975”
Museum of Trendy Art and Modern Art – place Yves Klein, Nice –
Till October 2nd
Stéphanie Dulout
L’article VITA NUOVA : Italy in the 60s and 70s est apparu en premier sur Galerie Joseph.
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